WiN：R2R小组| 2015年2月3日| 2.8 MB
MAC：团队CODESHiNE | 2020年12月24日| 17兆字节

巨大而闻所未闻的辉煌在下面等着我，我将尽快寻求他们。
ValhallaÜberMod是一个独特的可变延迟和调制插件。ÜberMod具有多达32个调制延迟抽头，扩展的扩散和过载部分以及并行的慢和颤音LFO，可用于创建豪华的维度合唱，经典的弦乐合奏，磁带和BBD回声，非线性和反向混响以及一堆声音不利于分类。

• 真实的立体声信号路径，用于保持立体声输入的空间图像。
• 可以与速度同步的延迟时间，以特定的拍频创建调制延迟和非线性混响
• 独特的WIDTH控件，可将空间图像从单声道变为立体声，再到“超级立体声”
• 失谐和颤音振荡器的单独参数，可对多达32个独立LFO进行高级控制
• OverMod控制，可将调制深度提高到理智的范围
• 高级别的DEPTH参数，用于快速调整整体合唱调制量。
• 大量的合唱分接头模式（2/4/6/8/16/32分接头，双重合奏，16相）可拨入特定的合唱，合奏和非线性混响声音
• 扩散部分（具有可调节的大小，大小，调制宽度和调制深度），用于创建随时间拖延的延迟，扩散合唱和调制混响
• 驱动部分（具有预增益，后增益和噪声增益），用于模拟磁带饱和度和模拟延迟
• 抽头菜单，用于调整间距，斜率，左/右偏斜和输出抽头的随机化
• 一个简单但功能强大的EQ部分，用于衰减高频和低频，以及在明亮和深色模式之间切换。
• SPEED控制，可使延迟时间加倍，并降低延迟缓冲器内信号的音调。
• 所有参数更改都经过平滑处理，以避免产生喀哒声，并产生磁带回声式效果。可以调整平滑时间，以创建各种震撼的嘶哑声。
• 可调整大小的GUI受NASA人机界面规范和瑞士图形设计学院的影响。极简GUI，极简主义声音™。
• 高级控件具有专用的滑块，而“ tweakier”控件是通过其自己的面板选择的
• 跨平台/ DAW预设机制，允许通过基于文本的复制和粘贴与其他ÜberMod用户轻松交换预设。
• WARP InputPan（版本1.0.1中的新功能）允许反转立体声图像，发送到延迟的信号的单声道求和，或输入信号的左/右平移。这样可以进行乒乓回声，乒乓延迟群集，磁带回声，混响，反混响以及还没有名称的声音。

现在已更新至1.1.6版！VST3，已签名并经过公证的Mac安装程序（适用于Big Sur），已签名用于Windows的安装程序。

WiN: Team R2R | 03 February 2015 | 2.8 MB
MAC: Team CODESHiNE | 24 December 2020 | 17 MB

Stupendous And Unheard-Of Splendors Await Me Below, And I Shall Seek Them Soon.
ValhallaÜberMod is a unique mutltap delay and modulation plugin. With up to 32 modulated delay taps, extensive diffusion and overdrive sections, and parallel slow and vibrato LFOs, ÜberMod can be used to create lush dimensional choruses, classic string ensembles, tape and BBD echoes, nonlinear and reverse reverbs, and a bunch of sounds that defy categorization.

• True stereo signal path, for maintaining the spatial image of stereo inputs.
• Delay times that can be synced to tempo, to create modulated delays and nonlinear reverbs at specific beat rates
• Unique WIDTH control, that varies the spatial image from mono to stereo to “super-stereo”
• Separate parameters for the detune and vibrato oscillators, to have high level control of up to 32 independent LFOs
• OverMod control, to turn up modulation depth beyond the bounds of sanity
• A high level DEPTH parameter, for quick adjustments to the overall chorus modulation amount.
• A large number of chorus tap modes (2/4/6/8/16/32 Taps, Dual Ensemble, 16Phase) for dialing in specific chorus, ensemble, and nonlinear reverb sounds
• Diffusion section (with adjustable amount, size, mod width and mod depth) for creating delays that smear over time, diffusion choruses, and modulated reverbs
• Drive section (with pregain, postgain, and noise gain) for emulating tape saturation & analog delays
• Taps menu, for adjusting the spacing, slope, left/right skew, and randomization of the output taps
• A simple yet powerful EQ section, for rolling off the high and low frequencies, and switching between bright and dark color modes.
• SPEED control, to double the delay time and drop the pitch of the signal within the delay buffers.
• All parameter changes are smoothed to avoid clicks, and to generate tape echo-esque effects. The smoothing time can be adjusted to create a variety of swishing, whooshing boing sounds.
• Resizable GUI influenced by NASA Human Interface specifications & Swiss School of graphic design. Minimalist GUI, Maximalist Sound.™
• High level controls have dedicated sliders, while the “tweakier” controls are selected via their own panels
• Cross platform/DAW preset mechanism, that allows presets to be easily exchanged with other ÜberMod users via text based copy and paste.
• WARP InputPan (new in version 1.0.1) allows for reversed stereo image, mono summing of signals sent to delays, or left/right panning of the input signal. This allows for ping pong echos, as well as ping ponging delay clusters, tape echoes, reverbs, inverse reverbs, and sounds that don’t have names yet.